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Reviews

Acting


 

You Will Get Sick
      Markham’s character never misses an opportunity to defend the lead or speak her mind. For the bulk of the play, Markham
      plays Cullen until she transforms physically and vocally to play a homeless woman. She showed incredible range by
      switching once again to adopt a Midwestern accent to play the nameless man’s mother.
      Broadway World

Macbeth
      Most memorable is Marion Markham s Lady Macduff...her sorrow...is so eloquently conveyed, there were few dry eyes
      among us.
      The Sun

A Midsummer Night's Dream
     
Marion Markham, wearing a hard hat and construction-workers vest, and speaking with a tough guy, New Yawkish accent is
     hilarious...and memorable ( she always is.) 
     The Sun

La Cage Au Folles
     
Marion Markham as Anne's stuffy mother is equally...delightful comic relief.
     Broadway World

A Funny Thing Happened ... Gynecologic Oncology Unit at Sloane Kettering Memorial Hospital ... New York City 
     
Markham has expertly timed lines of comic dialogue, caustically sharp, and she excels.   
     Broadway World                                            

It's A Wonderful Life
      Marion Markham ...(has)...a very sweet, lovely moment when ...(singing)..."A Place To Call Home"...There's a  moment in
      the Pottersville sequence where George encounters his mother and while the moment lasts only a few seconds, 
      it is played  perfectly and has exactly the right kind of emotional impact.
      Broadway World

The Merchant of Venice
      Markham is delightful in the comic role of Portia….(she) displays a wonderful sense of comic timing and weaves 
      comfortably between romantic angst and intellectual sparring. Her delivery of the famous soliloquy on the quality of   
      mercy is a powerful moment in the production.
      Northeast Independent

Much Ado About Nothing
     Markham shines in the part of Beatrice, conveying the full range of wit and temper, strength and stillness found in     
     the character.
     South County Independent

Lend Me A Tenor
     In a supporting role Markham garners laughs every time she is onstage.
    Newburyport News

Dancing At Lughnasa
    Markham makes Rose a strong, complex presence. With an expression that combines intensity and confusion, she makes 
    you want to know what Rose is thinking at every moment.
   The Day

The House Of Blue Leaves
    In a captivating performance, Marion Markham’s ….lives up to its accolades.
   The Providence Journal

How To Succeed in Business
    Another big treat is the appearance of Marion Markham as Smitty. She leads the chorus through “Coffee Break” with high 
    style and good spontaneity.
   The New Haven Register

The Embracers
    Their tumultuous relationship…(is) the driving force behind this musical ……in the sumptuous performances of  Marion
    Markham and Doug Kreeger in the central roles.
    https://www.oob.com

Peter Pan
   Markham exhibits two enchanting stage traits: a warm, lively voice that bubbles with suppressed merriment, and the ability 
   to sustain her singing while leaping and dancing about the stage. She never falters. With her upturned nose, cropped     
   brown hair, big eyes and narrow face, she’s the personification of pertness.
   The Village News

 


Directing


 

The 39 Steps
      Director Marion Markham expertly orchestrates the controlled chaos, ensuring the brisk pace and seamless transitions
      that are crucial to the play’s success. Her innovative use of the outdoor space, including imaginative staging (look for a train
      journey, done with two steamer trunks and really clever lighting effects), keeps the action dynamic and engaging.
      Markham's sensibility is just right. Fans of the original film will recognize just how much of the dialog and setting has been
      lifted, unchanged. What makes it comedy is the precise character of the exaggeration; there is a certain elevated
      melodramatic acting style required, and Markham has nailed it.
      Broadway World

The Tempest
      ...this production is a worthy introduction. And even if you've seen the show a few times, you will find many rewarding
      moments in the fine performances, imaginative direction, and superbly crafted environment.
      Broadway World

Waiting for Godot
      The Colonial has mounted a powerful production of a deceptively simple text, with smart choices and excellent acting. If you
      are a fan or student of Beckett's plays, you will find that this production explores the text in interesting ways; newcomers
      to Godot will find this a most pleasant entrée into the work.
      Broadway World

The Complete Works of William Shakespeare (abridged) {revised}
      Markham, who has been a Colonial mainstay for more than 30 years now, directs the show and carries out her duties
      artfully and with precision. The timing is spot-on.
      The Sun